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Valerie Vybz Jah Love is so special

In 1981 a group of seven female musicians formed a band called African Woman - the world's first widely-known all female reggae band. They were Shelomi Coke, Diane White, Caroline Williams, Paulette Coke, Valerie Skeete, Barbara Grossett and Vyris Edghill. Their debut album 'African Woman Abroad' was released in 1982. Two more tracks, recorded in Germany, were also released on a compilation album called 'People Unite' on a label of the same name.
In 1985 Valerie Skeete and Vyris Edghill took another avenue and recorded a soul track, "Watch Yourself" under the name of Akabu.
Subsequently it was decided to merge the two ventures, incorporating both reggae and soul under the name Akabu. In 1988 the self-titled album 'Akabu' was released on their own Viva Records label. They went from strength to strength, travelling extensively and making an impact on the live circuit, not only as a band in their own right, but also backing for the likes of Shara Nelson. They have shared the stage with Ziggy Marley, Freddie McGregor, Lee 'Scratch' Perry, Aswad, Culture and Maxi Priest, to name but a few.


The 'Warrior Queen' LP

The "Warrior Queen" LP

During the late 80s and early 90s lead vocalists Valerie and Vyris frequently provided backing vocals to On-U Sound releases and acts of the period, especially Bim Sherman, Dub Syndicate and Gary Clail. The long and successful collaboration with On-U culminated in Akabu's 1995 'Warrior Queen' album (ON-U LP71), co-produced with Adrian Sherwood, turning out to be the last studio album of the original line-up, though many live shows followed.

     
Junior Dan

Trust the father

Surrender all

I thank god through jesus christ for the unmerited favour which he has granted me to carry out my purpose on earth. I give him all the glory for the many miracles he has wrought in my life. I grew up in the capital of reggae in the uk, Harlesden N.W.10. Began singing in church where i was brought up & recorded my first song at the tender age of seven with Venture records who were neighbours of mine at the time. It weren't until my father took me to jamaica at the age of sixteen that i started to take music seriously again and join up with upsetter sound in Palmers Cross, May Pen. I spent five years in jamaica getting to know the industry and came back to uk and teamed up with Lloydie Crucial who put out my first tune in 1988. At the time pirate radio stations were virgins and often found myself on traffic jam in Stonebridge or Fresh Fm in Harlesden High St. who were big at the time, they played my records alot and i started to make a name for myself. I teamed up with General Levy and done a few chunes together before being signed up by London Records resulting in a European tour with the tune 'Monkey Man'. Went solo on Vivian Jones label Imperial House and done a few tunes for them and my biggest tune must be a cover version of Gabrielles 'Dreams'. I must of gigged every club in England for about six years straight and i must say now it would only be a matter of time before i gave it all up and answered 'my' call to the house of the lord. There were many signs that god showed me which convicted my soul to repentence. Unless a man is born again he cannot see the kingdom of god always stays on my mind and i have a burden to sound the trumpet of the lord and through song. I now have a catalogue of self penned Gospel reggae songs which i have expressed the feelings i have towards my saviour on. I say freedom of speech, do you? Anyway its for everyman to seek his own salvation with fear and trembling. May the good lord bless and keep you. Dont make the hearse carry you to the house of the lord, there is no repentance in the grave. JUNIOR      
Josiah

Be strong

 

Can Ghetto come good

 

No Stress

Roots n Culture

Lyrically speaking, introducing wild child style to the realm of reggae-personified in the man known as the 'wild child Josiah his songs and poems cross borders and defy cultural expectations. a poet/dj with a distinctive style that seeks to decipher the way of these artificial realities and uplift down pressed people anywhere they can hear music.
Josiah's debut single 'roots and culture'(english digital ny) was released in ny in 1999, 'reggaematical mystic'(hilltop records ny)was released in September of the same year.
I was born in Chapleton Clarendon Jamaica I’m an ex student- not past student of Clarendon college}. Josiah Kevin Haywood migrated to the us at age (15), where he graduated from boys and girls high school in brooklyns rough and tough Bedford Stuyvesant neighbourhood
He acknowledges dub poet oku onura as one who helped to point him in the right direction for his blessed natural ability with the spoken word-'the vibes grow inna Brooklyn nuff basement jams and block parties-clive hudson reggae star search inna biltmore ballroom days
round studios like 3r, sir tommys and don one-after years performing at various clubs and studios and college campuses in the ny area-he returned 2 Jamaica in 1998...'to feed more from the roots of the music'

After a 4 yr break he is currently............................with upcoming releases................. and a book of poems entitled.........when asked about future plans Josiah replies-‘let the music play’

     
King Daniel

Who sen dem

Run Di Place

Telephone Chalwa

Rastaman

       
Jah Paul Mad Mad World          
Scorpio Roots Real Love          
Jah Jerry

Empress Omega

Hey West Indian Lady

Blaze the chalice

         
Ijahman Levi